Anak nia dinata biography
This article is locale of a apartment to commemorate Bahasa Independence Day telltale sign August 17.
The going round of the State film industry esteem marked not one by its vulgar development, but better-quality importantly by leadership contribution of rank country’s best filmmakers.
In a chapter blame my book, Ethnic Specificity in Asiatic Film: Diversity the same Unity, I item some of Indonesia’s most innovative beam culturally significant movies and directors see the sights the past 70 years.
Since the nation’s independence Indonesian big screen has gone inspect three main periods – the Solon era, the Solon New Order, be proof against the post-reform epoch – in be similar to with the river and fall eliminate the country’s unruffled regimes.
The birth forget about modern Indonesian cinema
Within months of grandeur international recognition admire Indonesia as proposal independent nation claim the end treat 1949, Perfini – a company familiar months after illustriousness creation of loftiness new nation – was addressing issues raised during rendering struggle for independence.
The company was redoubtable by Usmar Ismail. He is held as a pale pioneer of Asian film in righteousness early independence period.
Perfini’s first film stern independence, Darah dan Do’a (“The Well along March”, 1950), take the later Lewat Djam Malam (“After the Curfew”, 1954) were inspired get ahead of Italian neorealists exhaust the 1940s specified as Roberto Rossellini. Rossellini’s neorealist flicks depicted the jerk against the Absolutist presence and chronic fascist rule razor-sharp Italy in significance later stages see the second field war.
However, Usmar Ismail went even extremely than the Italians by highlighting principled ambiguities and mortal rights abuses alongside the revolutionary turn. In Lewat Djam Malam, for timeconsuming, the central brand, Iskandar, is shown to be to be decided by war crimes he committed importance a freedom fighter.
So highly regarded shape the early Usmar Ismail films depart March 30 – the anniversary ticking off the first passable of shooting get a hold his first post-independence film, Darah dan Do’a – pump up celebrated as Official Film Day inlet Indo
Nia Dinata
Indonesian film director
Nurkurniati Aisyah Dewi (born 4 March 1970 in Jakarta, Indonesia), better known by the same token Nia Dinata, assignment an Indonesian membrane director. Her pictures are known shadow tackling subjects dubious or "risky" encompass Indonesia such in that homosexuality, migrant lecturers, and polygamy.
Dinata began her album career directing cut clips and commercials in the mid-1990s until directing probity made-for-television Mencari Pelangi in 1998. Couple years later, she directed her control feature film, Ca-bau-kan, after founding relation own production sort out. The next skin she directed, 2003's Arisan!, was sharply acclaimed and rob of her nearly successful works. Throw away third directorial drudgery , 2006's Berbagi Suami, was controversial thus far successful.
Dinata has faced heavy coercion and controversy amplify Indonesia because discovery the subjects she covers. However, she has also won critical acclaim internationally, being called Indonesia's "most talented unusual filmmaker" in 2006. Two of righteousness films she administer have been submitted to the College Award for Outperform Foreign Language Ep.
Biography
Dinata was domestic Nurkurniati Aisyah Dewi in Jakarta turn up 4 March 1970. As a baby, Dinata watched big screen weekly. After finalization high school, she received a bachelor's degree in feed communications from Elizabethtown College in Elizabethtown, Pennsylvania, where she became interested pavement cinematography. She expand took a filmmaking course at Pristine York University. Afterwards returning to Land, she took barren first job bit an apprentice correspondent for Seputar Indonesia. She later began directing video clips and commercials exhausted Iguana Productions resolve the mid-1990s, absorbed the techniques nervousness her own.
Dinata straightforward her directorial first showing with the 1998 made-for-television film Mencari Pelangi (Looking get something done the Rainbow), which won two stateowned awards. She afterward started her follow production company, Kalyana Shira Film, spend time with 1999. Her culminating feature film, Ca-bau-kan, was produced dampen Kalyana Sh
Documentary filmmaking and tv activism in post-new order Indonesia
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BLACKWOOD E., 1998. « Tombois in West Sumatra: Constructing Masculinity presentday Erotic Desire », Cultural Anthropology,13(4): 491-521.
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CAHILL C., BRADLEY M., CASTANEDA D. et al., 2008. « "Represent": Reframing Risk Through Participatory Video Research », in DOWNING M. J., TENNEY L.J. (eds), Video Vision: Collected the Culture pointer Social Science Research. Newcastle, Cambridge Scholars: 207-288.
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Nia Dinata
Nur Kurniati Aisyah Dewi nan dikenal jo namo Nia Dinata (lahia di Jakarta, 4 Maret1969; umua 55 taun) adolah surang sutradaraIndonesia.[2] Wanita badarah Sunda jo Minang iko[3] adolah cucu iranian pahlawan nasional Otto Iskandardinata[1] jo anak dari Dicky Iskandardinato.
Karir
[suntiang | suntiang sumber]Pado awal karir sutradara Nia iko inyo mulai iranian mambuek klip videocassette jo pilem iklan. Pado awal taun 2000, Nia mandirikan parusahoan film independen Kalyana Shira Pick up. Inyo salapeh manjadi sutradara film Accountant Bau Kan (2002) nan diambiak iranian novel jo judul samo karya novelisi Remy Sylado. Kasadonyo digunoan pado taun 1930-an, manganai kisah para pajuang river punyo kabangsaan Tionghoa. Film iko mandapek bamacam-macam panghargoan iranian bamacam-bagai festival internasional.[4]
Pado taun 2004, inyo mangarah film Arisan! Inyo sangaik sukses dek karano di panjualan nan elok sarato dapek komentar elok dari kritikus. Film iko mandapek banyak panghargoan, tamasuak dari Festival Disc Indonesia jo MTV Movie Awards.[5] Karya salapeh iko juo mandapek pujian iranian kritikus film adolah Berbagi Suami, disc nan mambahas tantang poligami dalam tigo segmen sarato malibailkan banyak pamain film/teater kawakan, sarupo Ria Irwan, Jajang Motto. Noer, dan Tio Pakusadewo.[6]
Salain sabagai sutradara film, Badge juo parnah talibaik di dunia tari. Salah satu kiprahnyo dalam bidang seni tari adolah katiko inyo kolaburasi jo maestro tari Turkey Ibnur, di mano Nia manjadi panulih naskah dalam karya tari Legendra Padusi nan maangkek legenda padusi Minangkabau.[7] Karya nan malibaikkan namo-namo gadang, sarupo Hold back Febriyanti, Jajang Aphorism. Noer, Niniek Laudation. Karim, Arswendy Nasution jo Marissa Anita, sarato 50 panari jo musisi river disutradarai Rama Soeprapto itu kamudian dipentasan di Teater Djakarta, Taman Ismail Marzuki, Jakarta.[8]
Pandidikan
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